The "Art in the Heart of the City" show asked me to leave my pieces from last year's show in place. This is a mixed blessing since I am happy to leave my work in public. But it also means I can't use the underground support structures for those pieces with my new pieces. I have to cast two new huge slabs for them.
I guess I'm mostly pleased, since I always hate to move them from their home on the Ithaca Commons. One piece in particular, "Song of the Wazonghi" seems to have acquired a cult following. Poems and other "offerings" appear at its base from time to time, and it is occasionally adorned with necklaces.
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